
The sets are lavish, the stagecraft is spectacular, and WICKED satisfies every requirement for a Big Broadway Musical. Most of all, WICKED is about the importance of female friendship: Elphaba (the excellent Jessica Vosk) and Glinda (Ginna Claire Mason adorably channeling both Clueless and Legally Blonde ) sing “For Good,” a tender duet about how deeply these two girls change each other, not only for the good but for all time.Įveryone is in fine voice, including Elphaba’s wheelchair-bound sister Nessarose (Jenny Florkowski), the sorceress Madame Morrible (Isabel Keating), source of plot-creating significant weather, and the Wonderful Wizard of Oz (old-timey song-and-dance man Fred Applegate).
#Good curtain call song for wizard of oz skin#
With surprising subtlety, we learn many important lessons: witches turn wicked when they are bullied, isolated as outsiders, and mocked because of the color of their skin power misused is tyranny when teachers’ voices are censored, the world becomes a dangerous place cruelty to animals diminishes our humanity true love is based on more than good looks, even when the looks are as good Wayne Schroder’s who plays Fiyero (his curtain call began with shrieks of girlish glee).

critical response to Griffiths unique look at The Wizard of Oz was mixed. And that brings us to this big, smart, gorgeous show, Wicked, with music and lyrics by Stephen Schwartz and book by Winnie Holzman, now back in town. Film and music will follow shows staged at Hastings Street Ballroom. Then there was Wicked, the clever novel by Gregory Maguire, a prequel to the Oz stories explaining how the witch got to be wicked.

Frank Baum’s The Wizard of Oz and the many sequels about the adventures of Dorothy, Toto, the Cowardly Lion, the Tin Man and the Scarecrow. Sunday afternoons are often added later in the process.First there was L. Some Saturday mornings will be scheduled for set-building, etc. Generally, our rehearsals run Monday thru Thursday evenings from 7pm to 10pm. The Songs from The Wizard of Oz was released from Disneyland Records in 1969. We ALWAYS ask those cast to keep that information to themselves until we have reached everyone who was not cast – unfortunately, that doesn’t always happen and our best efforts at sparing hard feelings are thwarted. We do our best to be respectful to all who audition by reaching out to those who have not been cast. Not being called back does not mean you are not being considered for the production. Sometimes we see all we need to at the initial auditions. We often don’t need to see people at a callback. Also, bring proper footwear to dance in if needed.įor non-musicals, you will be given pre-selected sides from the script. This should be something that you are very comfortable with, not something you just learned the day before. The song should showcase the style and vocal range of the character for which you are auditioning. If auditioning for a musical, prepare a brief song in the style of the show and have sheet music in the proper key. Of course, if you’re asked to stay to read and/or dance, you may be around a while.

Just show up and you will be seen in the order you arrive. Show dates: February 2 – 18 THE WISDOM OF EVEĪuditions: January 23 & 24 (Munchkin auditions: TBA)Īdditional details and character breakdowns to be posted soon. (We’ll revisit this as we get closer to auditions. however, i'm blonde, blue eyed, tall, and a soprano.i can hit some. Three of the women must by very strong singers, and two should be good movers. Customers and patrons of Maraczek’s Parfumerie, the Café Imperiale, and the Christmas Carolers. We recognize that each school has a wide variety of educational needs to fulfill and we invite you to be creative in your use of our scripts including changes or additions that are appropriate for your. Featured Ensemble: Five or six women and three or four men. fanfare, end show, curtain call (1:33) Note: Some teachers choose familiar songs, obtain sheet music and insert these songs into the play.
